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Introduction: the red mask of sanity -- Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft -- Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance -- Discordant tones and the melody of freedom at Peekskill -- Anticommunism and the American lynching imagination -- Shedding blood and beating back fascists -- Staging anticommunism, staging racist violence -- Coda: the complex and the rupture.