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Introduction: the intercultural topography and an acoustic interculturalism -- The performativity of sound and the soundscapes of culture -- Acoustic mimesis: ethical cadence and sonic violence in Tambours Sur La Digue -- (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other -- Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia -- "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking -- Conclusion: after authenticity: naming the intercultural.